Looks

It should look like
your wedding

The whole planner underneath, wearing a different world on top. Not just colours: the artwork, the wording, and the advice change too, because planning a barn in October is not planning a hotel ballroom in June.

Try any of them free

Change your mind whenever you like. Nothing you have written is lost.

Available now

Every look includes the whole planner

The artwork, the wording and the guidance change. Everything underneath stays exactly the same.

A watercolour of a forest table setting: brass candlesticks, moss and ferns
                  across the cloth, green glassware, a handwritten menu tied with twine.

Enchanted Forest

A wedding among the trees

Ferns, candlelight, moss underfoot and gold in the branches. The guidance knows your venue may have no kitchen, no power and no path for anyone in heels.

A watercolour of a coastal table setting: pale linen, rattan and sea glass,
                  the horizon behind it.

Coastal

A wedding by the water

Salt air, bare feet, and the sun going down over open water. Budgeted for the fact that nearly everybody will have travelled, and that beach parking fails first.

A watercolour of a château table setting: silver candelabra, ivory damask,
                  garden roses, tall windows behind.

Gilded & Timeless

A wedding of old gold and candlelight

Old gold, garnet roses and candlelight caught in crystal. For anywhere the room already has more presence than anything you could bring into it.

A watercolour of a mountain table setting: granite tones, aspen gold,
                  thin bright light.

Alpine Evergreen

A wedding at altitude

Granite, aspen gold, thin bright air, and light that leaves early. The sunset times matter more here than anywhere, and the planner works them out for you.

A watercolour of a barn table setting: string lights above long tables,
                  wheat and wildflowers, bare wood.

Rustic Farmhouse

A wedding in the barn

String lights in the rafters, long tables, wheat and wildflowers, and a barn that smells like summer. Rentals and lighting get their own attention, because they will.

A watercolour of a black-tie city table setting: white flowers, crystal,
                  a room above the lights.

Modern & Minimal

A wedding that ages well

White flowers, clean lines and good tailoring. The look where the budget goes into fewer, better things — and the last thing you take away is usually what makes the room work.

A watercolour of a garden table setting: loose seasonal flowers, green
                  foliage, a long table down the middle of a border.

Botanical

A wedding in the garden

Everything in season at once, and a long table down the middle of it. Somebody spent decades on this planting — adding to it is how you end up with less.

A watercolour of a boho table setting: warm neutrals, terracotta, pampas
                  and rugs, low candlelight.

Boho Chic

A wedding of your own making

Warm neutrals, low light, rugs on the ground and nothing matching on purpose. For the couple assembling it themselves, from several directions at once.

A watercolour of an antique table setting: aged mirrors, worn velvet,
                  tarnished silver and a great many candles.

Antique Victorian

A wedding in a room with a history

Aged mirrors, worn velvet and a hundred candles doing the work. For somewhere with a past, where the patina is the point and polishing it would be a mistake.

Or none of them, yet

“We honestly do not know”

Most people have not decided this in week one, and being made to choose a mood board before you have seen a venue is its own small stress.

Still exploring is a setting

Not a blank field, and not a look chosen for you. The planner wears a quiet neutral palette and holds off on the styling advice until you have something to style.

Everything else still works

The budget, the guest list, the calendar and the whole checklist are the same whichever way you end up going. None of it waits on a colour scheme.

Change it whenever

It is a dropdown, and it takes a second. Nothing you have written moves — not a guest, not a figure, not a booking.

What changes

More than the colours

Being drawn

More on the way

If yours is not here, tell me what it is and it goes on the list.

Suggest a look

Pick one and see

No card required, and you can change your look as often as you like while you make your mind up.

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